This Slovak church is no longer used, but the building is still kept in good condition.
The Romanesque façade, with its colorful inlays, is something extraordinary even in a region of extraordinary churches.
The relief of Ss. Cyril and Methodius, apostles to the Slavs, shows more than a little Art Deco influence.
Until a few years ago, the tower held up a fine statue of St. Joseph the Worker, one of the last major works of the great Frank Vittor. It has been moved to St. Maximilian Kolbe parish, where you can see it at eye level.
This bird is probably the most photographed of her species (Crax globulosa) in the world. She lives in the Wetlands room at the National Aviary, and she has a habit of sidling right up to visitors to see if they have anything good to offer her. Or perhaps she just likes the company. Or—to think more like a bird—perhaps she thinks she needs to keep an eye on us when we encroach on her territory. In the wild, the Wattled Currasow is an endangered species. At the Aviary, though, she lives a pretty soft life.
The cathedral moved farther out into the suburbs (though still in Munhall borough), and this is now the National Carpatho-Rusyn Cultural and Educational Center—an institution that keeps no regular hours and obviously can barely afford to keep the building standing. But the church is loved, and we may hope that whatever love can accomplish will be done for it. The architect was Titus de Bobula, a Hungarian who designed several churches around here. He is a fascinating character: he went back to Hungary in the 1920s and was imprisoned for plotting to overthrow the government; then he came back here and designed more churches, while simultaneously working on the designs for the structural aspects of Nikola Tesla’s fantastic, and possibly delusional, electronic superweapons, which of course were never built. It is not often that we find such a direct line from a Carpatho-Rusyn cathedral to the world of science fiction.
Connoisseurs of elegant lettering should not miss the plaque identifying the architect, contractor, and building date. Father Pitt suspects that de Bobula himself designed it: there is nothing else quite like it in Pittsburgh, and the style seems very much like the Art Nouveau of Budapest.